My studio.
I love it. People ask how I can bear to work in such a mess, but to me the mess is a necessary part of the work. Without
piles of treasure/junk to choose from, how can I find just exactly the right thing that I need for a particular
assemblage?
Sure, I end up with no flat surface to work on, but that's O.K.
Time spent clearing up is time gone in not making.
And if you'd like to see more pics,
have a look at Judy Wray's site from her 2006 visit.
Thanks Judy (from Maine, but shifting soon to Mexico)
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